Last night I went to a stage production of Steel Magnolias at the Black Box theatre. The show has been traveling around Ireland, with The OC star Mischa Barton in the role of Shelby.
The southern accents were great, although one or two of the characters gave Shreveport an extra syllable. Still, they managed to pronounce Louisiana like natives.
Since the play is set in the 1980s, I was curious as to why a 1990s Faith Hill song was playing during an interval between scenes – and more than a bit surprised when my friend from Poland started singing along.
I brushed it off, but during the next scene, Shelby tapped the radio in Truvvy’s salon like she was The Fonz, and another sassy Faith Hill song started playing as she sashayed out the door. That, kids, is what’s known as an anachronism, a chronological impossibility. I guess I know my polished pop country crap a little better than the Irish production team anticipated.
All was forgiven, though, by the poignant placement of Willie’s version of You Were Always On My Mind. The play is set entirely inside the beauty shop, so the audience never sees Shelby in the hospital, just listens while her mother tells the ladies everything. I’ve seen the movie a million times, and I was still fighting back tears.